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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">neurosurgery</journal-id><journal-title-group><journal-title xml:lang="ru">Нейрохирургия</journal-title><trans-title-group xml:lang="en"><trans-title>Russian journal of neurosurgery</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">1683-3295</issn><issn pub-type="epub">2587-7569</issn><publisher><publisher-name>Издательский дом "МедИНК"</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.63769/1683-3295-2026-28-1-130-141</article-id><article-id custom-type="elpub" pub-id-type="custom">neurosurgery-1806</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>ПУБЛИЦИСТИКА</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="en"><subject>PUBLICISM</subject></subj-group></article-categories><title-group><article-title>Загадки Леонардо</article-title><trans-title-group xml:lang="en"><trans-title>Mysteries of Leonardo</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><contrib-id contrib-id-type="orcid">https://orcid.org/0000-0002-9948-9816</contrib-id><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Лихтерман</surname><given-names>Л. Б.</given-names></name><name name-style="western" xml:lang="en"><surname>Likhterman</surname><given-names>L. B.</given-names></name></name-alternatives><bio xml:lang="ru"><p>Л. Б. Лихтерман</p><p>125047 Москва, ул. 4‑я Тверская-Ямская, 16</p></bio><bio xml:lang="en"><p>L. B. Likhterman</p><p>16 4th Tverskaya-Yamskaya St., Moscow 125047</p></bio><email xlink:type="simple">Likhterman@nsi.ru</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru"><institution>ФГАУ «Национальный медицинский исследовательский центр нейрохирургии им. акад. Н. Н. Бурденко»&#13;
Минздрава России</institution><country>Россия</country></aff><aff xml:lang="en"><institution>N. N. Burdenko National Medical Research Center of Neurosurgery, Ministry of Health of Russia</institution><country>Russian Federation</country></aff></aff-alternatives><pub-date pub-type="collection"><year>2026</year></pub-date><pub-date pub-type="epub"><day>14</day><month>04</month><year>2026</year></pub-date><volume>28</volume><issue>1</issue><fpage>130</fpage><lpage>141</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Лихтерман Л.Б., 2026</copyright-statement><copyright-year>2026</copyright-year><copyright-holder xml:lang="ru">Лихтерман Л.Б.</copyright-holder><copyright-holder xml:lang="en">Likhterman L.B.</copyright-holder><license xml:lang="ru" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>Данная работа распространяется под лицензией Creative Commons Attribution 4.0.</license-p></license><license xml:lang="en" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://www.therjn.com/jour/article/view/1806">https://www.therjn.com/jour/article/view/1806</self-uri><abstract><p>В статье анализируется психологический этюд В. В. Крамера «Тайна Леонардо да Винчи», в котором приводится оригинальная трактовка картины «Тайная вечеря». В. В. Крамер считает, что художник оправдывает Иуду и осуждает апостола Петра. Он утверждает, что картина написана зеркальным письмом. В настоящее время зеркальное письмо рассматривается как правополушарный феномен, и случай Леонардо да Винчи наглядно это иллюстрирует.</p></abstract><trans-abstract xml:lang="en"><p>The article analyzes a psychological sketch by V. V. Kramer «The Mystery of Leonardo da Vinci», which provides an original interpretation of the painting «The Last Supper». V. V. Kramer believes that the artist justifies Judas and condemns Apostle Peter. He claims that the painting is painted in mirror writing. Currently, mirror writing is considered a right-hemisphere phenomenon, and the case of Leonardo da Vinci clearly illustrates this.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>В. В. Крамер</kwd><kwd>Леонардо да Винчи</kwd><kwd>левшество</kwd><kwd>зеркальное письмо</kwd><kwd>межполушарная асимметрия</kwd></kwd-group><kwd-group xml:lang="en"><kwd>V. V. Kramer</kwd><kwd>Leonardo da Vinci</kwd><kwd>left-handedness</kwd><kwd>mirror writing</kwd><kwd>interhemispheric asymmetry</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Лихтерман Л.Б. Василий Васильевич Крамер (к 135-летию со дня рождения). Нейрохирургия 2011;1:9–11.</mixed-citation><mixed-citation xml:lang="en">Likhterman L.B. Vasily Vasilievich Karmer (towards his 135th anniversary). Neirokhirurgiya = Russian Journal of Neurosurgery 2011;1:9–11. (In Russ.).</mixed-citation></citation-alternatives></ref><ref id="cit2"><label>2</label><citation-alternatives><mixed-citation xml:lang="ru">Крамер В.В. Тайна Леонардо да Винчи (психологический этюд). Журнал психологии, неврологии и психиатрии. 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